ALBERTO CAPRIOLI, TRIO (1984), MÜNCHEN, PRO NOVA, 1987, p. 2.
AUDIO
*ALBERTO CAPRIOLI, ENTRETIEN AVEC PIERRE BOULEZ. PARIS, IRCAM, 14.03.1996 (IN FRENCH LANGUAGE)
ZEIT – TON. PORTRÄT ALBERTO CAPRIOLI. DER KOMPONIST IM GESPRÄCH MIT MARIA ANNA DESSEWFFY (IN GERMAN LANGUAGE)
(TIME – SOUND. ALBERTO CAPRIOLI, A COMPOSER’S PORTRAIT. RADIO INTERVIEW BY MARIA ANNA DESSEWFFY)
VIENNA, RADIO ORF 1 – JULY 2008 (19’50”)
Part 1.
*LACRIME SOSPESE. LEOPARDI INTORNO A LA DONNA DEL LAGO DI GIOACHINO ROSSINI
CONFERENCE BY ALBERTO CAPRIOLI (IN ITALIAN LANGUAGE)
BOLOGNA, BIBLIOTECA COMUNALE DELL’ARCHIGINNASIO, SALA DELLO STABAT MATER, 10.04.2018
COMPOSITIONS
AUDIO
(* YouTube)
SETTE FRAMMENTI DAL DIARIO, FOR PIANO (1974), STUTTGART, SÜDDEUTSCHER RUNDFUNK, 24.6.1987, CD ALBERTO CAPRIOLI, MUSICA DA CAMERA, PRO VIVA MÜNCHEN, ISPV 148 CD, 1987, MARCO RASPANTI, PIANO
SONETTI DI SHAKESPEARE, FOR A CHILD RECITER’S VOICE AND TEN INSTRUMENTS (1983), RADIO ORF-LANDESSTUDIO SALZBURG, 4.10.1983, MICHAEL SCHAUDERNA, REC., OENM SALZBURG, KLAUS AGER, COND.
TRIO, FOR PIANO, VIOLIN AND CELLO (1984), CD ALBERTO CAPRIOLI, MUSICA DA CAMERA, PRO VIVA MÜNCHEN, ISPV 148 CD, 1987, TRIO BRAHMS (GABRIELE RASPANTI, VL., MICHELE BALLARINI, VC., PIERPAOLO MAURIZZI, PIANO)
*DEL CELESTE CONFINE. FRAMMENTO FOR STRING QUARTET (1985), COMMISSION: SALZBURG, ORF, SZYMANOWSKI QUARTET, PERF.: FESTIVAL INTERNAZIONALE DI MUSICA DI PORTOGRUARO, 30.8.2012, FRANCESCO CERRATO, LAURA BORTOLOTTO, VL., ENRICO CARRARO, VLA., HANNAH VINZENS, VC.
SERENATA PER FRANCESCA, FOR SIX PLAYERS (1985), CD ALBERTO CAPRIOLI, MUSICA DA CAMERA, PRO VIVA MÜNCHEN, ISPV 148 CD, 1987, OENM SALZBURG, KLAUS AGER, COND.
A LA DOLCE OMBRA. FRAMMENTO, FOR VIOLIN, CELLO AND PIANO (1985), CD ALBERTO CAPRIOLI, MUSICA DA CAMERA, PRO VIVA MÜNCHEN, ISPV 148 CD, TRIO BRAHMS (GABRIELE RASPANTI, VL., MICHELE BALLARINI, VC., PIERPAOLO MAURIZZI, PIANO)
A LA DOLCE OMBRA. FRAMMENTO, FOR VIOLIN, CELLO AND PIANO (1985), PERF.: TREVISO, FONDAZIONE BENETTON, 17.5.2007, TRIO DI PARMA (IVAN RABAGLIA, VL., ENRICO BRONZI, VC., ALBERTO MIODINI, PIANO)
*FROM: PER LO DOLCE SILENTIO DE LA NOTTE, FOR PIANO AND COMPUTER MUSIC (1987), SALZBURG, MOZARTEUM, WIENER SAAL, 26.5.1987, MARCO RASPANTI, PIANO, STUDIO FÜR ELEKTRONISCHE MUSIK, MOZARTEUM SALZBURG, BOGUSŁAW SCHAEFFER, SOUND DIR.
SYMPHONIAE I / II, FOR SOLO VIOLIN (1988), SALZBURG, MOZARTEUM, WIENER SAAL, 5.5.1988, BARBARA STUHR, VL.
*FROM: DUE NOTTURNI D’OBLÌO, FOR SOLO VIOLA D’AMORE AND NINE INSTRUMENTS (1988), COMMISSION: EUROPÄISCHES MUSIKFEST, FIRST PERF.: STUTTGART, ALTE REITHALLE, 10.9.1988, ENRIQUE SANTIAGO, VLA. D’AMORE, RADIO SYMPHONIE-ORCHESTER STUTTGART, ALBERTO CAPRIOLI, COND.
… IL VOSTRO PIANTO AURORA O LUNA. FRAMMENTO PER L’INTERMEDIO IV DI AMINTA, FOR ENSEMBLE (1988) CD EDIPAN, CD PAN 3030, 1991, INTERENSEMBLE, BERNARDINO BEGGIO, COND.
*INTERMEDIO I, FOR AMPLIFIED FLUTE AND COMPUTER MUSIC (1989), FIRST PERFORMANCE OF THE QUADROPHONIC VERSION, PERF.: VIENNA, HARD DISC FESTIVAL 1993, GROßER SENDESAAL DES ORF, 1.10.1993, EVA FURRER, FL., PETER BÖHM, SOUND DIR.
SOLO BY SYLVANO BUSSOTTI. VERSION BY ALBERTO CAPRIOLI FOR INSTRUMENTS AND VOICES OF FIVE PLAYERS (1989), PERF.: VIENNA, KONZERTHAUS, 20.1.1992, KLANGFORUM WIEN, OLIVIER CUENDET, COND.
*SYMPHONIA III, FOR SOLO VIOLIN (1989), COMMISSION: ZEITFLUSS FESTIVAL 1989, SALZBURG, PERF.: WARSAW AUTUMN 1999, WARSAW NATIONAL PHILHARMONIC CHAMBER HALL, 20.9.1999, BEATA HALSKA, VL.
VOR DEM SINGENDEN ODEM, ALLA MEMORIA DI LUIGI NONO (VERSION 1990), QUADERNI PERUGINI DI MUSICA CONTEMPORANEA, FIRST PERF.: PERUGIA, AULA MAGNA DELL’UNIVERSITÀ PER STRANIERI, 31.5.1990, ARTISANAT FURIEUX ENSEMBLE, TONINO BATTISTA, COND.
*SETTE FRAMMENTI DAL KYRIE PER DINO CAMPANA, FOR SOLI, CHOIR AND TWENTY-NINE INSTRUMENTS (1991), COMMISSION: EUROPÄISCHES MUSIKFEST STUTTGART, FIRST PERF.: LEONHARDSKIRCHE, 25.8.1991, SD-RUNDFUNK-CHOR, KÖCHLIN ENSEMBLE, RUPERT HUBER, COND.
JOHN CAGE VARIATIONS, FOR BASS FLUTE, BASS CLARINET, VIOLIN, CELLO AND PIANO (1991), FESTIVAL “TRIESTE PRIMA”, TRIESTE, CHIESA EVANGELICA LUTERANA, 25.9.1991, OENM SALZBURG, HERBERT GRASSL, COND. CD “NUOVA OFFICINA BOLOGNESE”, GAM1, BOLOGNA, GALLERIA D’ARTE MODERNA, 1992
ANGES (PARAFRASI IN SOGNO, DA SCHUMANN), FOR ALTO FLUTE, VIOLA D’AZZURRO AND HARP (1993), COMMISSION: 62ª ESTATE MUSICALE CHIGIANA, FIRST PERF.: SIENA, ACCADEMIA CHIGIANA, 26.8.1993, TRIO NADAR
*FOLÂTRE (NOTTURNO DI ROSA), FOR TWO GUITARS (1993), CAGLIARI, ASSOCIAZIONE AMICI DELLA MUSICA, 26.10.1995, PERF.: GIAMPAOLO BANDINI – MATTEO MELA, GUITAR DUO
*FROM: L’ASCESA DEGLI ANGELI RIBELLI, MELODRAMA FOR RECITER’S VOICE AND INSTRUMENTS (1994), COMMISSION: TEATRO COMUNALE DI BOLOGNA, PERF.: BOLOGNA, TEATRO COMUNALE, 8.2.1994, ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, VALERIA MORICONI, REC., ROBERTO POLASTRI, COND.
DITTICO BACIATO SU «JE NE VIS ONQUES» (I. CAPRICCIO A CINQUE, FOR VOICES AND INSTRUMENTS – II. PLENI SVNT CAELI), FOR CHOIR AND ORCHESTRA (1994), COMMISSION: FESTE MUSICALI, BOLOGNA, FIRST PERF.: 15.11.1994, CORO HELIX, ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, GIORGIO MAGNANENSI, COND.
EVÆRNESTO, DUO CONCERTANTE FOR BASS FLUTE AND CONTRABASS CLARINET, FOUR STRINGS IN THE HALL, A WANDERING PERCUSSION PLAYER AND THREE BRASS WINDS IN ECHO (1995) COMMISSION: WIEN MODERN FESTIVAL, FIRST PERF.: VIENNA, KONZERTHAUS, 28.10.1995, EVA FURRER, FLUTES, ERNESTO MOLINARI, CLARINETS, KLANGFORUM WIEN, KWAME RYAN, COND.
*ALBERTO CAPRIOLI, ENTRETIEN AVEC PIERRE BOULEZ PARIS, IRCAM, 14.03.1996 (IN FRENCH LANGUAGE)
ELEGIA PER CARLO MICHELSTAEDTER, FOR OBOE (OBOE D’AMORE) CONCERTANTE AND INSTRUMENTS (1998), COMMISSION: TEATRO COMUNALE DI BOLOGNA, FIRST PERF.: BOLOGNA TEATRO COMUNALE, 25.2.1998, CARLO TENAN, OB. AND OB. D’AMORE, STRUMENTISTI DELL’ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, ROBERTO POLASTRI, COND., CD ENCICLOPEDIA ITALIANA DEI COMPOSITORI CONTEMPORANEI, NEAPLES, CD 003 B, 1999
*ELEGIA PER CARLO MICHELSTAEDTER, FOR OBOE (OBOE D’AMORE) CONCERTANTE AND INSTRUMENTS (1998), COMMISSION: TEATRO COMUNALE DI BOLOGNA, PERF.: BOLOGNA FESTIVAL 2002 – “IL NUOVO E L’ANTICO”, CHIARA TELLERI, OBOE AND OBOE D’AMORE, FONTANAMIX ENSEMBLE, FRANCESCO LA LICATA, COND.
*FROM: CANTO, FOR RECITER’S VOICE AND ORCHESTRA (1998) ON TEXTS BY GIACOMO LEOPARDI CHOSEN BY MARCO A. BAZZOCCHI, COMMISSION: FONDAZIONE ARTURO TOSCANINI, FIRST PERF.: BOLOGNA, TEATRO COMUNALE, 18.5.1998, FEDERICO SANGUINETI, REC., ORCHESTRA SINFONICA ARTURO TOSCANINI, ALBERTO CAPRIOLI, COND.
ERA, FOR SOLO ALTO SAXOPHONE AND BRASS QUINTET (1999), BERLARE, ANVERSA, CULTUREEL CENTRUM STROMING, 6.3.1999, HANS DE JONG, ALTO SAX.,
BEAUX-ARTS BRASS QUINTET
FIORI D’OMBRA, FOR STRINGS (2001), COMMISSION: TEATRO COMUNALE DI BOLOGNA, FIRST PERF.: BOLOGNA, TEATRO COMUNALE, 1.4.2001, STRUMENTISTI DELL’ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, ROBERTO POLASTRI, COND.
VERWEILE… (DANZA NOTTURNA), FOR RECITER’S VOICE AND INSTRUMENTS (2001), COMMISSION: TEATRO COMUNALE DI BOLOGNA PERF.: BOLOGNA, TEATRO COMUNALE, 21.10.2001, FRANCESCA CIMMINO, REC., STRUMENTISTI DELL’ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, ALBERTO CAPRIOLI, COND.
*GILLES POUR VIOLON ET LIVE ELECTRONICS (2002), SALZBURG, ORCHESTERHAUS, “MUSIKFEST SALZBURG”, 16.11.2002, FRANK STADLER, VL., PETER SIGL, LIVE ELECTRONICS, ALBERTO CAPRIOLI, SOUND DIR.
STELLE ASSENTI, FOR CHAMBER ORCHESTRA (2004), COMMISSION: FESTIVAL “IL SECOLO DI PETRASSI”, FIRST PERF.: LATINA, 19.6.2004, ALGORITMO ENSEMBLE, MARCO ANGIUS, COND.
*FROM: DREI KLAVIERSTÜCKE FÜR BOGUSLAW (2009), FESTIVAL EX NOVO MUSICA, VENEZIA, SALE APOLLINEE DEL GRAN TEATRO LA FENICE, 23.11.2010, ALDO ORVIETO, PIANO
I. LENTISSIMAMENTE
II. CINQUANTASETTE QUARTI PER PIANOFORTE, ANDANTE DOLCEMENTE, UNA CORDA SEMPRE
III. IN CHIAVE DI VIOLINO, FOGLIO D’ALBUM PER PIANOFORTE
SUBSTANCELESS BLUE – A LUIGI NONO, DAGLI SPAZI DI VIRGILIO GUIDI, FOR SOPRANO AND PIANO (2014), COMMISSION: FONDAZIONE TEATRO LA FENICE VENEZIA, FIST PERF.: VENICE, SALE APOLLINEE DEL TEATRO LA FENICE, 11.07.2014, SONIA VISENTIN, SOPR., ALDO ORVIETO, PIANO
ODE ALLA LUCE, FOR ORCHESTRA (2016), COMMISSION: BOLOGNA MODERN FESTIVAL, FIRST PERF.: BOLOGNA, TEATRO COMUNALE, 15.10.2016, ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA, MARCO ANGIUS, COND.
